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How Magnolia Park become pop-punk’s new hellraisers
“Every time I’ve played that guitar, people turn around”: Portugal. The Man’s John Gourley on his signature Gretsch and the music that shaped his life
“We have this thing in us that we need to excavate and work on together” Mannequin Pussy on embracing positivity together in a bleak world
Ukraine’s Roman Bulakhov on balancing jazz and rock, working with D’Angelico and making music in the face of an invasion
These are Dave Grohl’s four biggest guitar-playing influences
Yard Act’s Sam Shipstone on disturbing the hornets’ nest and his love of Leo Fender’s MFD pickups
Five essential Hole tracks that guitarists need to hear
Laura Jane Grace on the “true measure of a guitar’s worth” and her new solo album
Squirrel Flower on why dynamics matter: “I don’t like guitar music that’s just loud the whole time”
The Gear Used by Jimmy Page on ‘Led Zeppelin II’
How The Callous Daoboys went from blowing stimulus checks on guitars to being the new face of mathcore
The Gear Used by Joe Strummer and Mick Jones on The Clash’s ‘London Calling’
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